Wednesday 22 June 1994

In the forest of the vanishing, a trail of death, The Age, 22 June, 1994

The Age

In the forest of the vanishing, a trail of death

Author: John Stapleton
Date: 22/05/1994
Words: 917
      Publication: The Age
Section: The Backpacker Raids
Page: 3
Australia's worst serial killings started out as little more than a missing-persons case.
Seven young backpackers had disappeared from various locations around Sydney, but there seemed little to connect them in habit or circumstance and, in the impulsive way of young people travelling, perhaps more reason to suspect they might one day reappear, telling of fantastic adventures in far-flung places.
But as time dragged on without news, suspicions of foul play took hold among police and parents, to be realised in September 1992 when the first two bodies were discovered in a lonely spot in the Belanglo State Forest.
One by one, the remains of seven backpackers were found, sparking a massive investigation into what was clearly one of Australia's worst serial killings.
The victims were all young travellers: three Germans, two British and two Australians. They were all born between 1969 and 1971 and doing what so many thousands of young people have always done: seeing the world on a shoestring.
The story began on 29 December 1989, when James Gibson, from Moorooduc, and his girlfriend Deborah Everist, of Franston, 19, were last seen in the inner-Sydney suburb of Surry Hills.
Gregarious and nomadic, they told friends they were going to hitch- hike along the Hume Highway to Albury where they were thinking of attending an anti-logging rally. They were not seen alive again.
Their disappearance attracted no media attention until nearly four months later, when Mr Gibson's camera and backpack were found in Sydney's Galston Gorge.
On 20 January 1991, Simone Schmidl, a 20-year-old German backpacker from Regensburg near Munich, left Sydney to hitch-hike along the Hume to Melbourne. She had arranged to meet up with her mother, Erwinea.
She vanished. ``We tried to stop her hitch-hiking alone but she wouldn't listen," a friend recalled. A fortnight later the headlines appeared: `Mother pleads for missing daughter', `Fears for missing hitch-hike girl'.
Eventually Mrs Schmidl returned to Germany without her daughter, whose disappearance was linked with missing shop assistant Carmen Verheyden, 22, who also disappeared in the same area.
The day after Christmas, in December 1991, two German backpackers, Gabor Neugebauer, 21, of Munich, and Anja Habschied, 20, of Karsfeld, disappeared after planning to hitchhike from Sydney to Darwin.
The last contact the couple made with their families was on 24 December, when Mr Neugebauer rang his father from Bondi.
Their bank accounts remained unused, traveller's cheques uncashed, flights missed, and there appeared to be only one explanation. Private investigators failed to find any trace of the couple.
In April 1992, the British backpackers Caroline Clarke and Joanne Walters, both 22, left a hostel at Kings Cross.
In the following weeks there were a number of reported sightings of them in the days after left Sydney, into a truck at the Caltex service station in Bulli, drinking in the Blue Boar Hotel at Bowral, camping south of Mittagong.
The last to be killed, they were the first to be found.
Caroline Clarke's body was found on 19 September in a shallow grave in the Belanglo State Forest, near an area known as Executioners Drop.
Joanne Walters was found the next day, also in a shallow grave.
Both had been repeatedly stabbed. Ms Clarke had also been shot.
A search was begun for a white early model Volkswagen Kombi after reports that the girls had been seen with a man driving such a vehicle.
A little over a year later, on 5October 1993, the skeletal remains of Mr Gibson and Ms Everist were found in the Belanglo State Forest, less than one kilometre from where the bodies of Ms Clarke and Ms Walters were found, confirming the worst fears of friends and relatives.
In the following days police launched an intensive search of the area, and admitted that all four murders were probably connected.
In early November things moved quickly. A fifth body was found in the Belanglo forest about five kilometres from the other four. It was later identified as Simone Schmidl, last seen on 21January 1991.
Three days later, on 4 November, the bodies of Mr Neugebauer and Ms Habschied, were found.
Taskforce Air, as the police operation to find the killer or killers was known, dragged on for months, costing millions of dollars.
Up to 360 police at a time have joined the murder hunt, with inquiries starting in the forest and the small nearby country town of Bowral, stretching as far south as Melbourne, and extending to Britain, Greece and the Netherlands.
Stories about the police use of sophisticated new technology, including the computer system Netmap, kept the story alive but a conclusive result was elusive.
In February this year, in a clearing in the Belanglo State Forest, a memorial plaque was unveiled, with some of the family and friends of the murdered young people attending.
There was an overwhelming sadness at the needless death of people who should have had their whole lives in front of them. Prayers were offered for a swift result to the investigation.

Sunday 5 June 1994

Death of the Darkroom, Sydney Morning Herald, 5 June, 1994. Pic Greg White.





One of the last stories for the SMH before moving to The Australian.


The Sydney Morning Herald

DEATH OF THE DARKROOM

Author: JOHN STAPLETON
Date: 05/06/1994
Words: 828
      Publication: Sydney Morning Herald
Section: Computers
Page: 48
WE are living through the final days of the darkroom. For much of this century photography has been conducted in very much the same way and the careers of professional photographers have followed similar paths. Most news photographers spent the first years of their professional lives as cadets locked in darkrooms before being sent out to take a picture.
Computers are changing all that. Software is replacing chemicals. The magic of watching an image appear on photographic paper, the smell of the chemicals and the skills required to manipulate black-and-white images are all disappearing.
Across Australia, publishing concerns are buying the new technology.
Mr Peter Morris, photographic manager responsible for introducing the new technology into the Fairfax organisation, said it would have a huge impact. Photographers would go out on assignment, take the pictures and then give them to compositors in the computer room. They might take an interest, but they would not develop or enhance the pictures. They would not follow the photograph from its inception to a hard copy.
"The new system will involve photographers sending their film in by taxi or courier; they won't be required to do film editing or prepare pictures for publication.
"It will mean that photographers will be required less to do technical work and be able to concentrate on shooting. It gives us more options on their talent.
"Picture editors will select images initially, and scan them in.
Mr Morris said the US had been down this track for the past 10 years. "There is some comfort in knowing it is a worldwide trend.
"The young photographers don't have a problem with the move to the new technology; they are brought up on computers and video games."
Mr Robert Pearce, who has been a photographer with Fairfax for the past 30 years, and spent three years in a darkroom before being permitted to pick up a camera on assignment, said he felt a strong nostalgia about the passing of the darkroom.
"It was an integral part of the work done by a press photographer, who looked forward to coming back to the darkroom and watching the images appear.
"The fraction of a second that is involved in the shot, you aren't actually sure what you have taken.
"You never quite know what you've got until you get back to the darkroom.
"In the not-too-distant future we won't see that image until we pick up the paper in the morning.
"The link between taking the photograph and the final product, and the creativity involved, will be broken. The enhancing of the picture, using your printing skills, will be lost to the photographer and handed over to a technician."
He was concerned about a certain loss of control of the image through that chain of events.
Mr Pearce said the change was coming at the same time as the introduction of colour, which would see the death of black-and-white news photography as it is practised now.
"When done at its best, black- and-white has much more impact than colour news pictures. I see room for black-and-white news photography to remain and if the advertising people want to go the colour road, I see the one contrasting the other, not colour taking over totally. Unfortunately I have not been able to get many people who make the decisions to to agree with this point of view."
As a realist he had to accept the way of the future, "but it's mind-boggling what these computers can actually do with an image, and therein lies another story, as to the ethics, the morals and the guidelines that will need to be put in place for the reader to place any credibility in the image".
"An image can be so easily manipulated on a computer that a reader could be easily fooled and an unscrupulous pictorial editor or photographer could easily dramatise or falsify an image. You can place two negatives together now to create a false image, a practice frowned upon at Fairfax, but with computers, when we are going to digital cameras and there will be no hard copy, there will be no way to prove that an image was not manipulated beyond fact.
"We are going ahead with the changes in technology without having developed proper ethical guidelines ... This needs to be done with some urgency, not just at Fairfax but at papers around Australia."